- Reflections on Learning
- My play excerpt at the Playwright's Festival
- Robert Wallace and Total Rhythm
- Reaffirming a committment
- State of Grace
- The Holy Trinity of Music's Appeal
- Cold weather and drumming don't mix
- Cheb-i-Sabbah and the spirituality of the musical moment
- Refound: The English Beat's "I Just Can't Stop It"
- Lessons from a yogi
ritmo
Caxixis and the upbeat
Submitted by Palmito on December 14, 2007 - 5:00pm.[I took this workshop over a month ago, and am just getting around to posting my thoughts that I wrote down right after the worskhop....]
This weekend I took a caxixi workshop from Cabello. (In keeping with Brazilian tradition, we'll just stick with his first name, even though he has a last name). Cabello is like every Brazilian capoeiristo I've met outside of Bahia: small, wiry but muscular, tattooed, reminding me of a sailor. He smiled broadly the entire time, and almost never stopped moving.
Caxixi [KA-shee-shee] are Brazilian shakers, woven bell-shaped instruments with seeds inside and a hard gourd bottom. I knew that you could shake the seeds against the bottom and get a hard accent, and you could turn it sideways and get a softer sound (the seeds against the weave). I've also put in enough "shaker-time" to get the requisite accented samba swing (an oversimplification is FORWARD-back-forward-back-FORWARD-back-forward-back).
But all it took was one other student - someone who had done this before, obviously - to pick up a caxixi casually, start rocking forward and back, and then turn the bottom of the gourd towards himself and create the hard accent on the upbeat... and a huge cog in my head went CLICK. All of a sudden I saw a whole new set of rhythms you could create using that upbeat accent. (My previous experience has been with different sized shakers that create different sounds, using one in each hand to create a series of heavy and light accents).
Orkest Asfalto at Thingamajigs
Submitted by Palmito on October 8, 2007 - 6:11pm.(Photos courtesy Edward Schocker, video courtesy Henry Kumagai). Here's the video of our show at Thingamajigs (click the "Read more" link). Remember, you could be up there too! This is the kind of thing we'll be playing at the San Francisco Day of the Dead march, on Friday, Nov 2nd. Check the calendar to see more info.
Orkest Asfalto - the long story
Submitted by Palmito on October 1, 2007 - 7:31pm.
In case it's not obvious, the origin of Orkest Asfalto owes a lot to Bahia, Brazil. I've never had any significant experience with traditional U.S. drum corps; my personal percussion training is mostly afro-carribean drumming on congas. But I had spent some time in Brazil and was enamoured with the Bahian blocos like Olodum and Ilé Ayé. These 150-drum-strong groups would rehearse every day all day, it seemed, and I would wake up from my afternoon nap in the hostel to hear distant drumming echoing off the steep 500-year old cobblestone streets. For a percussionist of any stripe, that gets under your skin.

